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Cebu's
Ceramics Industry
History
Excavations in the Near East, showing that primitive
fired-clay vessels were made more than 7,000 years ago.
Potters were working in Iran by about 550 B.C.
Earthenware was speculated to have been produced even
earlier in the Iranian high plateau.
In the Far East, the ancient Chinese potters have
developed characteristic techniques as far back as 500 B.C.
From these Chinese potters, the ceramic industry took its
roots in our country. By the opening up of trade between the Chinese and Spanish
governments during the Spanish period, the Chinese eventually formed settlements
in the Ilocos coast in Luzon where they put up their first ceramics production
sites.
Eventually, they moved and spread to the south where there
were more clay deposits. It was in the province of Pampanga that new techniques
and product lines were developed - like the use and design of the tunnel kiln
for firing --- finally giving the potters a strong base for their products.
Before World War II, four families from Pampanga
came to Cebu City to try to set up ceramic businesses here.
Settling first in Mabolo, they moved to Lilo-an because of its abundance
of clay. However, of these original four families, only two remain today. These
are the Javier and Figueroa families.
The first clay products that were made were the clay jars,
or tadyaos, which were used as sanitary receptacles for drinking water. Up until
now, some households, especially those with no refrigerators, still use the
tadyao to keep the water cool for drinking.
At present there are now 20 major ceramics
manufacturers in Lilo-an. These include those who export, and those who
supply for the local market.
From the Chinese who started it here in
the country years ago, to the manufacturers of today, the ceramics industry has
come a long way in making Cebu one of the top producers of ceramics in the
country.
Materials Used
Earthenware or red clay -
the basic raw material for ceramic products. This contains iron oxide and when
put on fire, produces a deep red brown color. This kind is used for producing
red bricks, flower pots and ordinary jars.
Stoneware or white clay
contains calcium and feldspar. It is the sedimentary classification of clay and
is more plastic-like and is therefore used for making higher quality, sturdier
and decorative jars, vases and figurines.
Two methods for extracting clay:
1. Random method of extracting clay -
excavating it where it can be traditionally found. However, this method is
prone to flooding where the excavating of the clay is seriously hindered
during the rainy season. The raw clay is then cleaned manually, removing small
twigs and pebbles, after which it is softened by water when kneaded.
2. Systematic approach to excavating -
Raw clay is excavated in layered steps from a pre-measured parcel of land.
Manufacturers first consume all the clay in that area before transferring to
another site. By doing this, flooding and run-offs are minimized during the
rainy season. This form of excavation is able to maximize the material and
ensures steady production of ceramic material. Cleaning of the raw clay
differs from the first method because electrical grinders and kneaders are
used to reduce the non-clay materials into minute particles, instead of
manually removing them.
Production
These manufacturers use three kinds of
kiln technology for the production of ceramics products.
Dragon
kiln - a traditionally used kiln in Lilo-an, it is a tunnel placed on an
incline of 15 to 40 degrees with the lower end serving as the main fuel/fire pit
and the upper end as place for stacking the clay products. These kiln uses fire
for fuel and can reach temperatures up to 1,500 degrees celcius.
Stepped kiln
- adapted from a Japanese design that the Department of Science and technology
(DOST) introduced. A series of domed chambers are connected to each other and a
main fuel/fire pit through floor vents. This design allows for the heat to
circulate more evenly over the stacked clay forms. It can reach a temperature of
2,000 degrees, but most manufacturers find this kiln expensive because of the
amount of fuel it consumes.
Updraft
- this is the most affordable type of kiln. It does not need to burn much fuel.
But because of its low fuel requirements, it is only capable of temperatures up
to 900 degrees celcius. The Updraft is an open top brick box with a fuel pit
directly under a metal grill clay form holder. This kiln is used only for
ceramic products that are too small or too few for firing in either Dragon or
Stepped kiln.
Processing
The processing and forming
of clay body can be grouped into three major methods.
pik-pik
(gentle tapping)- the more traditional method used and commonly used in
Danao, Sibonga, and Asturias. This method involves the hand-forming of
products with only the use of wooden paddles and a smoothening tool, usually a
round stone. This is done in areas where the technical skills of the
manufacturers are not yet developed and production is low. The products made
by this method include cooking pots (kulon), stoves (sug-angan) and small
flower pots which do not require uniformity in shape and dimension.
wheel method
- forms clay bodies through the use of an electric or manually operated potters
wheel. This method is used for mass production of products with a standardized
quality requirement such as #8 and #10 flower pot, and primera and segunda
water containers. Better technical skills of the manufacturers are needed here
compared to those using the pik-pik method. Besides the use of the
wheel, other simple measuring tools are also used to insure the uniformity of
the product. Users of the potters wheel are concentrated in the Lilo-an
area, although individual manufacturers were observed in Sibonga and Danao.
use of semi-mechanized mold or
through a simple wooden frame. This
method is used for the production of structural or salt bricks. However, only
manufacturers in Lilo-an employ this method since other manufacturers in Cebu
have not been able to successfully produce these bricks.
Techniques Used
Wedging - a very important
process in which air bubbles are forced out to align coarse particles to
develop homogeneous consistency.
Wheel (throwing) - a process
whereby a potters hands takes a ball of clay, throw it on the wheel (if
he is using potters wheel) and produce forms that evolve and change
shapes in minutes. This skill needs four months of constant practice and
study of the proper sequence of operation to create even the smaller pieces
of pottery.
Measuring each part of the pot - this
process involves the measuring the different dimensions of the pot - such as
the width of the mouth opening, the length from head to neck, neck to
shoulder, shoulder to waist, waist to thigh and thigh to feet - with the use
thin coconut ribs or tukog differing in length.
Press molding - a process used
to make decorative molds on the jars. This consists of pressing stabs of
clay in the carved out inside of the concave plaster mold. After theyre
made smooth, the designs appear beautifully in the exterior.
Casting - in this process, clay
is liquefied into what is called slip which is then poured into a
plaster mold. Plaster draws the moisture from the slip and causes the
clay surface in contact with the plaster to harden or set. After the excess
slip is drained and the piece has further dried, the mold is then removed.
The surface is scraped or sanded to remove join marks of mold sections. As
final touches, a glazing process is applied either before putting the piece
on fire or after it has dried enough.
The Business Situation
Government Support
The government, through the Department
of Trade and Industry and the Department of Science and Technology have
extended loans to cooperatives in Asturias and Sibonga for a number of
brick-making machines. However, said cooperatives were unable to produce
sufficient volume to justify continued production for the local market.
Market
Ceramic products are used as:
-
decorative items
-
cookwares
-
cooking utensils and containers
-
garden pots - horticulturists are
one of the big buyers of ceramics. Flower lovers and garden enthusiasts
buy flower pots by the bulk and its demand is constantly growing. Even
school children buy these flower pots for their home economics and
practical arts classes
-
construction materials such as
roof tiles and walls because of its sturdiness and insulation
-
interior decorations for hotels
and restaurants
-
accessories or decorations of
Individual households
Our ceramic industry has not only
conquered the local market, but it has reached out to foreign consumers as
well. Based on information provided by local exporters, demand for ceramic
decorative items in foreign countries tends to follow that of furniture
exports from Cebu like rattan, wrought iron and inlaid stone. Countries like
Australia, Belgium, Germany, Japan, Kuwait, New Zealand, Singapore, Sweden,
and the United States are some of the countries importing our ceramic
products. Of these, Japan and the U.S. constitute about 90% of the total
ceramics export with a value of $1,184, 953 for 1995.
Problems Encountered
-
lack of diversified products
-
lack of adequate skills due to no
formal schooling
-
no ready market
-
lack of sheltering facilities to meet
unfavorable weather conditions
-
lack of finances
-
potters do not have an association to
protect and assist their interests
-
stiff competition form products such
as aluminum pots and pans, electric stoves, and modern utensils
-
small time potters do not earn much
Sources:
A study on the The Ceramics
Industry in Cebu by the Cebu Chamber of Commerce and Industry
Struggling out of the Mire
by: Jhon Carl B. Cruz
The Freeman Magazine
Claying Around
by: Corito Escario-Yu
Zee Quarterly
The Craft of Clay
by: Lily Rosebud Uy
Sunstar Horizons
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