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Cebu's Ceramics Industry

History

Excavations in the Near East, showing that primitive fired-clay vessels were made more than 7,000 years ago.

Potters were working in Iran by about 550 B.C.

Earthenware was speculated to have been produced even earlier in the Iranian high plateau.

In the Far East, the ancient Chinese potters have developed characteristic techniques as far back as 500 B.C.

From these Chinese potters, the ceramic industry took its roots in our country. By the opening up of trade between the Chinese and Spanish governments during the Spanish period, the Chinese eventually formed settlements in the Ilocos coast in Luzon where they put up their first ceramics production sites.

Eventually, they moved and spread to the south where there were more clay deposits. It was in the province of Pampanga that new techniques and product lines were developed - like the use and design of the tunnel kiln for firing --- finally giving the potters a strong base for their products.

Before World War II, four families from Pampanga came to Cebu City to try to set up ceramic businesses here. Settling first in Mabolo, they moved to Lilo-an because of its abundance of clay. However, of these original four families, only two remain today. These are the Javier and Figueroa families.

The first clay products that were made were the clay jars, or tadyaos, which were used as sanitary receptacles for drinking water. Up until now, some households, especially those with no refrigerators, still use the tadyao to keep the water cool for drinking.

At present there are now 20 major ceramics manufacturers in Lilo-an. These include those who export, and those who supply for the local market.

From the Chinese who started it here in the country years ago, to the manufacturers of today, the ceramics industry has come a long way in making Cebu one of the top producers of ceramics in the country.

 

Materials Used

Earthenware or red clay - the basic raw material for ceramic products. This contains iron oxide and when put on fire, produces a deep red brown color. This kind is used for producing red bricks, flower pots and ordinary jars.

Stoneware or white clay contains calcium and feldspar. It is the sedimentary classification of clay and is more plastic-like and is therefore used for making higher quality, sturdier and decorative jars, vases and figurines.

Two methods for extracting clay:

1. Random method of extracting clay - excavating it where it can be traditionally found. However, this method is prone to flooding where the excavating of the clay is seriously hindered during the rainy season. The raw clay is then cleaned manually, removing small twigs and pebbles, after which it is softened by water when kneaded.

2. Systematic approach to excavating - Raw clay is excavated in layered steps from a pre-measured parcel of land. Manufacturers first consume all the clay in that area before transferring to another site. By doing this, flooding and run-offs are minimized during the rainy season. This form of excavation is able to maximize the material and ensures steady production of ceramic material. Cleaning of the raw clay differs from the first method because electrical grinders and kneaders are used to reduce the non-clay materials into minute particles, instead of manually removing them.

 

Production

These manufacturers use three kinds of kiln technology for the production of ceramics products.

Dragon kiln - a traditionally used kiln in Lilo-an, it is a tunnel placed on an incline of 15 to 40 degrees with the lower end serving as the main fuel/fire pit and the upper end as place for stacking the clay products. These kiln uses fire for fuel and can reach temperatures up to 1,500 degrees celcius.

Stepped kiln - adapted from a Japanese design that the Department of Science and technology (DOST) introduced. A series of domed chambers are connected to each other and a main fuel/fire pit through floor vents. This design allows for the heat to circulate more evenly over the stacked clay forms. It can reach a temperature of 2,000 degrees, but most manufacturers find this kiln expensive because of the amount of fuel it consumes.

Updraft - this is the most affordable type of kiln. It does not need to burn much fuel. But because of its low fuel requirements, it is only capable of temperatures up to 900 degrees celcius. The Updraft is an open top brick box with a fuel pit directly under a metal grill clay form holder. This kiln is used only for ceramic products that are too small or too few for firing in either Dragon or Stepped kiln.

 

Processing

The processing and forming of clay body can be grouped into three major methods.

“pik-pik” (gentle tapping)- the more traditional method used and commonly used in Danao, Sibonga, and Asturias. This method involves the hand-forming of products with only the use of wooden paddles and a smoothening tool, usually a round stone. This is done in areas where the technical skills of the manufacturers are not yet developed and production is low. The products made by this method include cooking pots (kulon), stoves (sug-angan) and small flower pots which do not require uniformity in shape and dimension.

wheel method - forms clay bodies through the use of an electric or manually operated potter’s wheel. This method is used for mass production of products with a standardized quality requirement such as #8 and #10 flower pot, and “primera” and “segunda” water containers. Better technical skills of the manufacturers are needed here compared to those using the pik-pik method. Besides the use of the wheel, other simple measuring tools are also used to insure the uniformity of the product. Users of the potter’s wheel are concentrated in the Lilo-an area, although individual manufacturers were observed in Sibonga and Danao.

use of semi-mechanized mold or through a simple wooden frame. This method is used for the production of structural or salt bricks. However, only manufacturers in Lilo-an employ this method since other manufacturers in Cebu have not been able to successfully produce these bricks.

 

Techniques Used

Wedging - a very important process in which air bubbles are forced out to align coarse particles to develop homogeneous consistency.

Wheel (throwing) - a process whereby a potter’s hands takes a ball of clay, throw it on the wheel (if he is using potter’s wheel) and produce forms that evolve and change shapes in minutes. This skill needs four months of constant practice and study of the proper sequence of operation to create even the smaller pieces of pottery.

Measuring each part of the pot - this process involves the measuring the different dimensions of the pot - such as the width of the mouth opening, the length from head to neck, neck to shoulder, shoulder to waist, waist to thigh and thigh to feet - with the use thin coconut ribs or tukog differing in length.

Press molding - a process used to make decorative molds on the jars. This consists of pressing stabs of clay in the carved out inside of the concave plaster mold. After they’re made smooth, the designs appear beautifully in the exterior.

Casting - in this process, clay is liquefied into what is called “slip” which is then poured into a plaster mold. Plaster draws the moisture from the “slip” and causes the clay surface in contact with the plaster to harden or set. After the excess slip is drained and the piece has further dried, the mold is then removed. The surface is scraped or sanded to remove join marks of mold sections. As final touches, a glazing process is applied either before putting the piece on fire or after it has dried enough.

 

The Business Situation

Government Support

The government, through the Department of Trade and Industry and the Department of Science and Technology have extended loans to cooperatives in Asturias and Sibonga for a number of brick-making machines. However, said cooperatives were unable to produce sufficient volume to justify continued production for the local market.

Market

Ceramic products are used as:

  • decorative items

  • cookwares

  • cooking utensils and containers

  • garden pots - horticulturists are one of the big buyers of ceramics. Flower lovers and garden enthusiasts buy flower pots by the bulk and its demand is constantly growing. Even school children buy these flower pots for their home economics and practical arts classes

  • construction materials such as roof tiles and walls because of its sturdiness and insulation

  • interior decorations for hotels and restaurants

  • accessories or decorations of Individual households

Our ceramic industry has not only conquered the local market, but it has reached out to foreign consumers as well. Based on information provided by local exporters, demand for ceramic decorative items in foreign countries tends to follow that of furniture exports from Cebu like rattan, wrought iron and inlaid stone. Countries like Australia, Belgium, Germany, Japan, Kuwait, New Zealand, Singapore, Sweden, and the United States are some of the countries importing our ceramic products. Of these, Japan and the U.S. constitute about 90% of the total ceramics export with a value of $1,184, 953 for 1995.

Problems Encountered

  • lack of diversified products

  • lack of adequate skills due to no formal schooling

  • no ready market

  • lack of sheltering facilities to meet unfavorable weather conditions

  • lack of finances

  • potters do not have an association to protect and assist their interests

  • stiff competition form products such as aluminum pots and pans, electric stoves, and modern utensils

  • small time potters do not earn much

 

Sources: A study on the The Ceramics Industry in Cebu by the Cebu Chamber of Commerce and Industry

Struggling out of the Mire
by: Jhon Carl B. Cruz
The Freeman Magazine

Claying Around
by: Corito Escario-Yu
Zee Quarterly

The Craft of Clay
by: Lily Rosebud Uy
Sunstar Horizons

 

 

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