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The Tartanilla

Tartanilla, the local horse drawn rig.

Tartanilla, as what they call it in Cebu. Karatela in Manila and Calesa in Iloilo. Each driven by a horse but variant of the carriage.

Old Cebu, Circa 1900 …

Descending from that Duljo-bound curb off the main road people call Jai-Alai, one can sense a stink strange enough for a new comer. This is however familiar to an old Cebuano. This is the horse dung, strewn on the constricted landscape of Duljo, coming from the queue of tartanillas awaiting their daily luck in commuters.

The tartanilla used to ply the busier arteries of Sancianko, Leon Kilat, Tres de Abril, that long stretch of N. Bacalso avenue and V. Rama. While there were those who were constantly irked by their presence, none could have thought there would be time they'd be swept out of the city's more conspicuous landscape. The kutseros' (coachmen) were not too keen back then on how to go about the unhygenic ways of how their horses dispose of their wastes. Not even considering the stink.

This however gave birth to the recognition to the making of tartanillas, a full-blown ndustry by the "Companieas de los Tranyias de Filipinas", a joint corporation of Spaniards and Filipinos, was aimed at mass producing as a means of transportation.

The Tartanilla mad of light construcion material, having a capacity of ten passengers and drawn by four horses and was then considered for the growing population in urban Manila. What was then considered was the archaic "carromata", a cart drawn by carabao (water buffalo), could no longer catch up with the fast-paced lifestyle of the Manileños.

The Tratanilla was however exclusive to the elite. But upon the creation of the Companias, 8,000 tartanillas were released to the major road of Calle Nueva on that fateful day of December 26, 1885. Thus a progressive company that shared ownership of the prominent Filipino and Spanish businessmen.

The scarcity of horses led the way to the creation of a new form, a 4-seater tartanilla driven by a single horse.

The tartanilla owners adorned it. The embellished tartanilla was also symbolic of the social status of the owners.

 

An excerpt from the article written by Castro Pereyra

 

Cebu's Arts & Culture

Woodcarving
First Silent Movie
Boat Building
Important Cebuano Cultures
Nov.: Flowers Season
Karaoke King
The Cebuano Pasalubong
All the City's a Stage
Visayan Shinbun
The Tartanilla
City of Merchants
Advertisments in 1930's
Cebu's First Airmail
Newspaper
Historical Haunts
Radio Bisaya ng America
Cebuano Movies
Passion for Fashion
The Tradition of Santacruzan
Cebu's Train Trails
Fed. of Vis. Radio Clubs
Bertoldo-Balondoy
The Santo Niño
Cebu Art Association
Cebu Stamp Club, Inc.
The Cebuano Tuba
Cebu's Early Magazines
Cebu's Oldest Magazines
Sandiego Dance Troupe
Pusod
Teatro Junquera
Wedding Cakes and Preparations
The Painted Visayan
Land of Guitars
Cebu's Larsian
First Women's Magazine
October: Tradition of the Rosary
Cebu Pipe Organs
Cebu’s Guitar Society


Cebuano Cooking

 

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