Tartanilla, the local horse drawn rig. |
Tartanilla, as what they call
it in Cebu. Karatela in Manila and Calesa in Iloilo. Each driven by a
horse but variant of the carriage. |
Old Cebu, Circa 1900 …
Descending from that Duljo-bound curb
off the main road people call Jai-Alai, one can sense a stink strange
enough for a new comer. This is however familiar to an old Cebuano. This
is the horse dung, strewn on the constricted landscape of Duljo, coming
from the queue of tartanillas awaiting their daily luck in commuters.
The tartanilla
used to ply the busier arteries of Sancianko,
Leon Kilat, Tres
de Abril, that long stretch of N. Bacalso avenue and V. Rama. While
there were those who were constantly irked by their presence, none could
have thought there would be time they'd be swept out of the city's more
conspicuous landscape. The kutseros' (coachmen) were not too keen back
then on how to go about the unhygenic ways of how their horses dispose of
their wastes. Not even considering the stink.
This however gave birth to the
recognition to the making of tartanillas, a full-blown ndustry by the
"Companieas de los Tranyias de Filipinas", a joint corporation
of Spaniards and Filipinos, was aimed at mass producing as a means of
transportation.
The Tartanilla mad of light construcion
material, having a capacity of ten passengers and drawn by four horses and
was then considered for the growing population in urban Manila. What was
then considered was the archaic "carromata", a cart drawn by
carabao (water buffalo), could no longer catch up with the fast-paced
lifestyle of the Manileños.
The Tratanilla was however exclusive to
the elite. But upon the creation of the Companias, 8,000 tartanillas were
released to the major road of Calle Nueva on that fateful day of December
26, 1885. Thus a progressive company that shared ownership of the
prominent Filipino and Spanish businessmen.
The scarcity of horses led the way to
the creation of a new form, a 4-seater tartanilla driven by a single
horse.
The tartanilla owners adorned it. The
embellished tartanilla was also symbolic of the social status of the
owners.